Lynn Book. Visual Anthropology sketchbook pen and ink drawing
Allison Geremia, Ladamy Elzadeh. Visual Anthropology sketchbook pen and ink drawing
Michael Bowdidge. Visual Anthropology sketchbook pen and ink drawing
Black and Blur (consent not to be a single being), by Fred Moten, Duke University Press. 2017
Black and Blur (2017), is the first volume of Moten’s new work consent not to be a single being (2017-2018), a three-volume collection of essays and short pieces. Black and Blur is intended as an ‘extension’ of criticality, blackness, art, and performance.
Black and Blur’s 25 chapters are critical commentary of writings, images, films, and musical recordings.
Moten shows how Mingus’s jazz musician, disparagement of inauthentic blackness was undercut by his own music’s Caribbean and Mexican influences. He also writes about the work of Jimmie Durham. Native American Cherokee artist. In his research there is a description of the complexities of the African diaspora through African Americans like Mingus. Tshibumba’s paintings which compress together historically separate events, and he is also known as an “African Genre Painting” artist. He brings the history of imaging and slavery/commodification of black people in his paintings.
Bernadette Mayer Experiments list
Language #3, 1978
Mayer's narrative media style of stream of consciousness in her writing. Her work is based on a textual-visual art and journal-keeping, several of her exercises feel like a stream of free association of ideas. Her lists of exercises inspires to create stories, music, art, songs or film.
Madeleine Gins
Madeleine is a poet writer and philosopher. She also worked in architectural projects with her husband Arakawa.
THE SEARCH FOR immortality has always been a subtext of architecture. Madeleine Gins and her husband, Shusaku Arakawa, 1960s New York conceptual artists and amateur architects who are regarded as a bridge between the Dada and Fluxus movements, had a more literal, if whimsical, take on cheating death: The pair purported to believe that their structures could actually allow their inhabitants eternal life.
Marie Dorema, The New York Times.
To Live the Orange. Vivre l’orange. (1979)
Helene Cixous, Reader. Ed. S. Sellers. Routledge. 1994
This is a book with a feminist perspective, and it presents a new, open voice of freedom against cultural paternalistic abuse. The work has a similarity to Martin Heidegger. As in “The Thing”. In the book Cixous ponders as contemplation of an orange is interrupted by a telephone call, as she thinks about the plight of women in Iran.
Hélène Cixous is a Jewish-French, Algerian-born feminist well-known as one of the founders of poststructuralist feminist theory along with Luce Irigaray and Julia Kristeva. She is now a professor of English Literature at University of Paris VIII and chairs the Centre de Recherches en Etudes Féminines which she founded in 1974.
She has published numerous essays, playwrights, novels, poems, and literary criticism. Her academic works concern subjects of feminism, the human body, history, death, and theatre.
She has published numerous essays, playwrights, novels, poems, and literary criticism. Her academic works concern subjects of feminism, the human body, history, death, and theatre.
Goodreads.com
Christof Migone, “Untitled”, Writing Aloud – the Sonics of Language, eds. Brandon Labelle and Christof Migone, Los Angeles: Errant Bodies Press. 2001
Christof Migone is a Swiss, experimental sound artist and writer. He is a professor at the University of Western Ontario. Migone's recordings are Sound Voice Perform (2006), South Winds (2003), Crackers (2001), Quieting (2000), The Death of Analogies (1999), vex (1998) and Hole in the Head (1996).
Writing Aloud is an anthology about the relationship of language to sound and writing to music It has essays, interviews, meditations, visual projects, sound files of cultural and performance, experimental music and contemporary art.
Christof Migone talks about the voice as very important to understand language. It examinates vocalization and articulation into how it contributes to notions of self-recognition.
It researches the work of Nicholas Zurbrugg's history of sound-poetry. Sean Cubitt's meditation on the voice in relation to contemporary technologies; Fred Moten's examination of the Black avant-garde. Included in the book is the work of Marina Abramovic's performance from 1975, "Freeing the Voice". An interview with Alvin Lucier, composer work from the 60s to today continue to challenge listeners; Arthur Petronio, with his recordings "Verbophonie", And the "Body Building", by the video artist Vito Acconci.
Erin Wilkerson, Visual Anthropology sketchbook pen and ink drawing
Maria Gaspar. Visual Anthropology sketchbook pen and ink drawing